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The get-up: slow, one rep at a time

Oct 23
4 min read

The get-up is the slowest lift I teach, and one of the most important. The StrongFirst manual says it plainly: "Get-up proficiency is recommended for all overhead lifts." Before you press or snatch a bell overhead, you should be able to take it from the floor to standing and back with total control.

Start with a shoe

Before you ever load the get-up, the manual says to "practice with a shoe on a fist." Balance a shoe on your closed fist, arm straight up, and do the whole get-up without dropping it.

It sounds silly, but it's the best teacher there is. A wobbly arm drops the shoe. A bent elbow drops the shoe. Rushing drops the shoe. Learn the path with a shoe, and the bell comes later.

Pick it up safely

The pick-up and set-down are part of the lift, and the manual is strict about them:

  • Lie on your side next to the bell and take it in a two-hand pistol grip.

  • Roll to your back and floor press it up.

  • Use both hands to pick the bell up and to set it down.

  • Never carry the bell over your chest or face.

That last rule isn't negotiable. Roll to the side to start and to finish, every time.

The steps

From the manual:

  • 1. Start. Lie on your back with your free arm and leg about 45° out. Bend the leg on the bell side.

  • 2. Roll to the elbow. Drive through your bent leg and roll up onto your free elbow.

  • 3. Post to the hand. Come up from the elbow onto your hand.

  • 4. Low sweep. Lift your hips and sweep your straight leg under you into a three-point stance.

  • 5. Half-kneel. Come up into a half-kneeling position.

  • 6. Railroad tracks. Line up your knee and foot so they sit on parallel tracks, not a tightrope.

  • 7. Lunge up to standing.

Then reverse the whole thing for the "get-down." Pause in each position. The pauses are the lift, not rest stops between moves.

The pointers that make it click

  • Hand placement. Plant your hand roughly "a spine length" away.

  • Lat on. Load your lat as you place the hand, so your shoulder stays connected.

  • Push away. "Visualize 'pushing yourself away from the kettlebell.'" That turns posting to the hand into an active push instead of a lean.

  • Quiet knee. On the way down, let your knee touch silently. No thud.

  • Adjust only when still. Make adjustments only in the static positions. If you need to fix your hand or foot, do it during a pause, not mid-transition.

The SFG I standard

The get-up test at the SFG I is one rep per side. One. It's that demanding. The standard:

  • neutral wrist

  • locked elbow and packed shoulder

  • the free shoulder doesn't shrug

  • neutral spine from tall sit to stand

  • the bell-side heel stays planted

  • the knee touches silently

  • the arm stays vertical

  • neutral neck from the lunge up

  • locked knees and no hyperextension at the top

Read that list and you'll see it's mostly about control: wrist, elbow, shoulder, spine, neck, all in line.

The errors I watch for

The manual names three:

  • 1. Unpacking the bottom shoulder. The shoulder you're posting on sinks into its socket. Keep the lat loaded.

  • 2. Flexing the bell elbow on the way down. The arm softens on the descent. Keep it locked the whole time.

  • 3. Reaching the hand too far. Your shoulder is at risk and your back hyperextends. "A spine length" is the guide.

Dayne Douglass, Dayne Train Strength coach

How I practice it: singles only

The StrongFirst program design notes are clear: "We do not practice get-up ladders as we do only singles." There's no benefit to time ladders for the get-up. Every rep is a single: up, down, set it down, reset.

That's the whole "practice, not a workout" idea. The get-up isn't something to grind through for time. Each rep should look like the one before it.

For variety, the notes list partials (practicing one part of the get-up), an overhead walk between the ascent and the descent, and presses at different stages. I use these to work on weak spots, not to make it harder for the sake of it.

Why it carries over

The snatch borrows "the overhead lockout of the get-up or press." The get-up builds the overhead lockout for both the press and the snatch. If your arm doesn't feel solid at the top of a get-up, it won't feel solid when a bell lands overhead in a snatch.

That's why I don't let anyone snatch until their get-up is clean. My newest video covers the swing and the snatch. The snatch at the end of it only works because the overhead position underneath it is solid:

Keep moving between reps

Between get-ups, the manual's general advice for hard sets applies: keep moving, for example by walking or shadow boxing. Shake out the arm that held the bell. A fast & loose drill like "Heavy hands" works well here: let your arms hang, vibrate your fingers, and shake your wrists until your hands feel heavy. Then set up the next single.

Cue list

  • Shoe on a fist before a bell

  • Pick up and set down with two hands, rolled to your side

  • Never carry the bell over your face

  • Hand a spine length away, lat loaded

  • Push yourself away from the kettlebell

  • Railroad tracks, not a tightrope

  • Knee touches silently

  • Pause in every position, and adjust only when still

  • Elbow locked, wrist neutral, arm vertical

  • Singles, not ladders

This week

Do a few get-ups per side with a shoe on your fist. If the shoe stays up the whole way, up and down, try a light bell. Pause at every position, count a breath, then move. Slow is the point.

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